In his second transmigration in a body, the soul of historical transmission La Corrida is expressed with greater agility and naturalness, and any movement of the caravan seems rejuvenated and renewed, despite a failed attempt to return but not evocative a bit 'at the beginning. With Hegel, we can say that we are after the thesis and antithesis, the synthesis of the project production and reproduction. Flavio Insinna not know why I never watch the or fiction quiz , the programs of the great mass of the generalist TV, especially those di una Tv urlata, ormai appiattita, scevra di buongusto, banale, che sempre applaude coloro che trionfano o stanno al potere e fischia ogni insuccesso conclamato acriticamente seguendo la massa del gregge verso luoghi comuni.
Ho scoperto, invece, un artista guardando Insinna alla conduzione, non facile, di un prestigioso programma che ha segnato la storia della radio e della TV italiana.
Perché mi ha convinto?
Si vede che Insinna ama Corrado. Lo fa rivivere senza cercare di imitarlo. Si vede che è un suo modello perché ne ha colto la bravura, come pochi riescono, senza ridurla. L'ironia di Corrado era raffinata, misurata e scatenava perciò la risata, realizzando un nobile ossimoro fra serio e faceto. Insinna abounds in proposing the facetious and the heightens the point of reaching, through its deformation and its expansion, the comedy without sacrificing the healthy perception of reality, showing also attention to the needy and the poor, to which the conductor looks with sincere generosity . His emotion is real and his emotions are genuine. It is not vulgar or self-centered, while knowing his good artistic skills. He does not talk too much about himself, not try to snatch the performer to the stage as it was often Scotti, rather Insinna recognizes and re-evaluates the origins corradiane, unlike Scott who showed, clearly make her feel a certain impatience in this : thing did remove a good portion of the broadcast audience in the last years of his run.
Insinna studied well and has come to see the teaching of Conrad because he still loves him. So the public since 1968 is still faithful to the program may end up primordial elements that come alive after the oblivion.
Corrado was elegant and did not like clichés and vulgarity on television, just ask the help of one or the other of wanting to greet the family at home in this regard the frequent requests for greetings from competitors came to him have been unsuccessful, with a burst ironic: "He's already done," Corrado said the competitor to turn insistent, and this educated in the audience raised the estimate for those who want a tv less silly, self-reflection and perhaps even the least educated and healthy but just reactive.
Insinna not forget the teaching of the master and quotes him almost constantly at his side would have to be guided by him as a mentor whose soul is still alive because immortal and so Insinna allows the competitor to turn to greet home enabling you to make a long list in which the same conductor, however, involved saying goodbye to his relatives and thus provoking laughter and appreciation of the public educated and ironic: the opposite of those who marry and then the idea that healthy relatives on TV what is tasteful and well permits fomenting this kind of television a low profile. Insinna has learned the lesson on 'irony. Too often this term is overused meaningless: it seems that everyone is capable of irony on TV. Absolutely not! And among them there are very few Insinna.
quotations and aphorisms that often Insinna, like raisins in the pudding, part of the run is not a show. The great Conrad more than anything else rightly detested the show on television and restricted the citations to the essentials. The aphorisms of the author of Insinna have an existential flavor, is not wisdom that emerges from saccenza video: è il valore autentico della cultura che la TV deve saper cogliere e può trasmettere anche durante un varietà popolare.
Dario Coppola
