Whats A Good Eagle Sport Wheel For The Money

Thrasymachus Socrates' audience has more

in the Italy of the years blinds have better muscularity, aggressiveness, ridicule, slander, to tend traps the opponent, the lies, the duplicity. All this at the expense of the weak, to make it look stronger than those who are richer and therefore more pre-potent, ie the Thrasymachus of our times. In the Republic should not have any nationality the most animalistic of the most unjustifiable arrogance, which has nothing in common either with the hubris that has always deluded the man in the middle of putting its own interests. In that republic in which justice was a virtue and a value, and good governance must be the result love of true wisdom, there was no place for Thrasymachus.

In our Republic - the second or third? - There is only room for Thrasymachus himself even worse than men: the learned conversations, Symposiums, philosophical dialogues are certainly not the practice of the Italians of our times to which we refer, who prefer other types of practices, such as when a laugh Earthquake destroys cities and lives to waffle on, such as attacking the less protected by law as the LGBT community to consider religion as a instrumentum kingdoms in far less noble than that of Machiavelli's Prince, like partying and fornicating with the tissues and escort , di turno.

Ahi serva Italia, di dolore ostello,/  

nave sanza nocchiere in gran tempesta,/  

non donna di province, ma bordello!

Non ci sono parole più poetiche e attuali per esprimere da queste pagine il nostro disappunto.

Alla luce di quanto è avvenuto nel Parlamento italiano, fra il 13 e il 14 dicembre scorsi, lasciamo anche noi il commento - ed è il migliore - ad Antonio La Trippa.

A. C.

What Happens To Unused Sperm In The Woman's Body

Berlusconi Berlusconi has thanked the Cepu

by insertosatirico

Temporary License And Flying

mummified! Other than the catacombs ...

Can Hot Cheetos Give You Cancer

Monicelli beyond hope

MARIO MONICELLI

chooses to die November 29, 2010

Is Malignant Melanoma Curable

PROTEST THE CLOSING OF THE PEOPLE READ THE POPE

Thursday, November 25, 2010

Busy today Mole

The student protest against the University of Turin and ddl Gelmini
photo
http://futura.unito.it/

Wednesday, November 24, 2010

days of protest at the University

http://www.uniriot.org/uniriotII/

site

www.quintilianounito.blogspot.com

Black Hairdressers In Brampton

Benedict XVI, as always, continues to rage against homosexuality never morally justifiable.

After a step forward now in a predictable step back ...

This means staying still!

Homemade Remote Car Starter

HISTORIC HISTORIC OPENING OF A POPE

on condom :
Pope Benedict XVI is the first that justifies the use of condoms in some cases.

Dish Dvr 522 Expander

REPRESENTATION OF S. CECILIA

November 20, 2010 time: 18:00
St. James Festival
REPRESENTATION OF S. CECILIA

Ancient Theatre Company of St. James

REPRESENTATION OF S. CECILIA

OF ANTONIO Spezzani

Represented in the Brotherhood of St. MARIA by Snow, said the Confalone of Bologna, in the monastery of S. & Procolo this year

1581 IN BOLOGNA,

in the printing of Gio Rossi.1581

With licentia of Superiors

Personaggi e interpreti in ordine di apparizione

Cecilia, Donatella Ricceri

Valeriano, Marco Muzzati

Eleuterio, Nerio Bonvicini

Teodora, Silvia Nannetti

Urbano, Emiliano Basile

Venerabile Vecchio, Gastone Sarti

Angelo, Laura Spimpolo

Tiburzio, Luigi Millaci

Almachio, Prefetto Alessandro Mischi

Massimo, Capitano Emiliano Basile

Pluto, Gastone Sarti

Megera, Silvia Stasi

Aletto, Cristian Previati

Tesifone, Emiliano Basile

Alessandro Imperatore, Marco Muzzati

Review and coordination of the text: Roberto Cascio

Collaboration: Donatella Ricceri

Costumes: Maria Castelvetro Lucia Simoneli

Percussion: Marco Muzzi

Among the acts
Music by of the Cappella Musicale di San Giacomo Maggiore

First Act

Afraid, Cecilia tells Valerian, his betrothed, he had consecrated to Christ, to whom he made a gift of perpetual virginity and chaste, ; your body and soul. Valeriano, confused, incredulous, amazed, trying to deflect loved by this dangerous frenzy. The passionate words of Valerian, the young Cecilia, without which the ancient gnarled oak, well, not only defended his convictions with tenacity but induces Valeriano to meet with people who can teach the faith of Christ so loved: Urban. Man of mature age and of noble aspect of lives, banished from the Empire, among the cavernous dens and caves, which lie outside Rome on the third of a mile. Valeriano, consenting for love rather than for conviction, goes in search of the old. Urban fear is seeing him get some killer Empire came to take him in a city not yet satiated with blood, nor of so many body parts for the faith of Christ. Trembling, Urban answered questions of the unknown, but as soon as it is heading that is sent by a servant of Christ named Cecilia, revitalizes and explains to his son, with love and enthusiasm, the principles of faith. An angel of God, under the guise of a venerable old door and hands Valeriano dall'empireo sky, the sacred dogmas ... .. carved in pure gold and blue.

Act Two

Cecilia anxiously awaits the return of his beloved. L 'Angelo, as a young beautiful and graceful, and the bride is confident that il suo fedel consorte è divenuto grato al suo Signore. Sopraggiunge Valeriano ma, non già qual era prima. L’Angelo lo accoglie. Fa avvicinare a sè i due giovani e li incorona di profumate ghirlande di rose e gigli. A lui chiede ancora di esprimere un desiderio perché Dio vuole concedere un’altra grazia al nuovo servo di Cristo. Valeriano desidera che anche suo fratello Tiburzio sia illuminato e acceso dal divino raggio. Al commiato dell’Angelo, quanto richiesto  è già avvenuto e mentre i giovani sposi ritornano, felici di essere di nuovo uniti in un unico destino, incontrano uno stordito Tiburzio. Un amorevole colloquio,  dapprima giocoso e scherzoso si tramuta in una congiunta e appassionata lode a Dio, tanto che il giovane fratello, impressionato, chiede con fede il battesimo. Il fratello, felice, lo conduce da Urbano.

Atto terzo

Siamo nelle stanze del palazzo imperiale. Almacchio,  il Prefetto e Massimo, suo Capitano, discutono con sprezzante ironia della stoltezza dei cristiani che condotti a patir strazi e morti, par che vadano a trionfi, alle nozze e ai conviti e che il loro unico scopo, quasi spreggiando il bello vivere di questo mondo, non sia altro che l’uscir di vita. Il Senato di Roma, riunitosi, decide di inasprire la caccia alla scellerata setta dei cristiani e di fare esemplari vendette dei loro oltraggi. Valeriano e Tiburzio, non sapendo di essere already suspected and searched after returning from Urban are recognized, captured and taken by the Prefect. Almacchio listen to bother with the words that the two brothers, he fascinated by some evil spirit, ask him. In front of their obstinacy, mocked the power of Christ, ruled that the two rebels be cut off their heads and their bodies remain unburied.

Act IV

Pluto, the devil, the Emperor of the Kingdoms Stig and summoned the furies of hell, its faithful handmaidens: Hag, Tisiphone and Aletha. Cecilia hates, cowardly and vile human being not only guilty of being born out of his flock, but even more souls to take away his servitude. Angered by this insult, Pluto, orders the Furies that the heart of the Emperor Alexander is filled with anger, hatred and anger towards those who dare to join in the faith of Christ. Cecilia, meanwhile, upset, eagerly awaiting the return of our beloved brothers, but will give Theodora and Eleuterio, moved, the sad news. The bodies of Tiburcio and Valerian, and lie unburied dead. The bride, with sorrow and pity shall, notwithstanding the severe penalties that an imperial edict has to bury the bodies of those who give Christians to bury those bodies holy and sacred, worthy of every honor.

Act fifth

It 's time of capture and trial of Cecilia. Accused of having buried the bodies of two brothers, is conducted before an emperor possessed of witchcraft and prey. Cecilia suffered assaults, temptations, and the cruel and frightening threats that malicious Pluto, for half of Alexander, employed. Almacchio, ruthless and complacent performer, devise, (for which a verdict had already been issued in the hellish holes), a cruel punishment: Cecilia must be immersed in boiling water in a large bowl. But, the waters become heated in a bath sweet and delicate. Almacchio order, therefore, that the villain has to be cut to the unequal Maga head. The three blows to the neck are still not enough to kill her. The Angel, fast, appears to Urban and urges it to return immediately to the bedside of sweet Cecilia, before the soul leaves the venerable body. With the blessing of Heaven Nuncio to Urban and the two faithful servants (who are quick to Cecilia) closes the work. The death of Cecilia in the representation is not there, instead there is a death that is not consumed, it does not arrive, despite everything, to enact the inevitable end of earthly life, almost an 'allegory to a higher life that as they say the last words of Cecilia, never ends.

Roberto Cascio.

Oratorio di Santa Cecilia - Via Zamboni 15 Bologna

entrance donation

Agressive Tires For Avalanche

Academy of Music

The Ancient Theatre St. James offers

Academy of Music

comedy in two acts by Francis Capacelli Albergati.

Alberto

old banker, is suffering the deceit funny (with a happy ending for everyone) and his son Albert, his mistress and the maid vespina Venetian Aspasia, weave toward him. A brilliant comedy of Bologna 700, written by a disciple and friend of Carlo Goldoni: Francesco Albergati. Nicknamed the Moliere Bologna, was also a friend of Voltaire and Alfieri. Since his youth, he attended the first stage as an actor and then as a comic writer. The theater, which during the 'summer he set up in his Palace of Zola (for an audience of three hundred people), became famous throughout Europe.

characterization (Alberto Bolognese accent and vespina servants and Sniper, mix the Venetian dialect of Aspasia and Giacometti), vivacity el 'wit of the characters, the particularity of the setting (the first scenes are candlelight , the latest in a concert hall) make the Academy of Music an original and fun.

The cast of actors is largely made up of musicians, actors (as well as the text of the play requires). All come from the core of artists who gravitate around the church and the monastery of San Giacomo Maggiore in Bologna, in which they were born La Cappella Musicale di San Giacomo Maggiore and the Ancient Theater of San Giacomo Maggiore. Both subjects should give their business to re-release as philological texts written between 500 and 700 only. Costumes and music are copies of originals. The text, unedited, in its transcript is part of the University Library of Bologna.

Director Virgilio Bianconi.

owes his theatrical training in the 80s to the theater group directed by actor-CULT CRE Venetian Franco Bertani. Later, after having attended numerous courses in theater and have founded The Fellowship of the Sun, an association that still manages the theater historian Cesare Caporali Panicale (PG), has created its own laboratories producing theatrical performances that range from theater drama and music of the Renaissance up to 900. In the theater by a theater school that embraces many disciplines of the show. He holds theater workshops in Italy and abroad. He has many outfits that are numbered in "The Imaginary Invalid" by Moliere, La "Salome" by Wilde, "The Miser" by Moliere, "Don Giovanni returns from the war," Horvath, and in the lyrical context ' opera "Rigoletto," the interlude "Pimpinone" and Albinoni's "The Servant Mistress" by Pergolesi. He directed several productions with representations of sacred texts and medieval music. At the same time he attended the Conservatory of Perugia F. Morley and continued her vocal studies with the baritone and tenor Umberto Rinaldi Sergio German, attending many other advanced courses including the singing course taught by Maureen Barazzoni Baroque.

E 'was the winner of the National Competition "Pagano S." for the role of Uberto in "The Servant Mistress" by Pergolesi, replicated by many Italian opera houses. In addition to the repertoire of roles as Dulcamara, Geronte, Bartolo, Figaro, Leporello and Don Giovanni debuted in theaters and a variety of traditional Italian festivals, has played many rare works by Vivaldi, Orlando, Baskets, Salieri, Pergolesi and many others in Italy and abroad.

He has recorded for Tactus "The Beheading of St. John the Baptist" by Bononcini and "The Player" in Orlando. E 'artistic director of the Teatro Comunale di Panicale Caporali PG.

Music by the Choir of St. James the Elder; Association which was formed in March of 2006, was created with the aim to propose, in particular, the unpublished school musical composers belonged, between the Renaissance and the Baroque, the order of the Augustinian Fathers. E 'consists of a small circle of musicians who specific knowledge of performance practice. For the publishing house Tactus, recorded a first CD, devoted to sacred music of Father Agostino Ippolito Ghezzi. The CD had excellent reviews from major magazines to music criticism in Italy (Musica, 5 star, 4 star Amadeus) and abroad (in particular France and America). A second CD entitled Pinxit is dedicated to Renaissance music. Inspired by the literary sources of the first 500 of Bologna and has also received rave reviews on American and European sites.

Xtremecurves.com Leigh

Letters to the father of Virginia Galilei

Letters to the father

Virginia Galilei

Readings

Donatella Ricceri

With the participation of the Cappella Musicale di San Giacomo Maggiore

Introductory note: Robert Cascio

Letters to the father, is the title given by Bruno Basile (Salerno Editrice), the collection of the writings that Sister Maria Celeste (nee Virginia Galilei), Poor Clare Monastery of St. Matthew in Arcetri, inviò al padre tra il 10 maggio del 1623  e il 10 dicembre 1633. E’ una lettura affascinante. E’ la storia di una famiglia, o meglio di una parte di essa, lunga quasi 10 anni raccontata da dietro le grate e le porte chiuse di un monastero. Il padre destinatario delle lettere è Galileo: scienziato, matematico, meccanico, filosofo rivoluzionario, inquisito e processato da una Chiesa che non voleva accettare le implicazioni teologiche ed esistenziali che le teorie copernicane annunciavano. Tanto grande e nota  è la figura di Galileo che nelle Lettere l’attenzione (a volte, e impropriamente), è più rivolta a cogliere quegli elementi e quelle particolarità that help to better define its character rather than that of the writer: the sweet, gentle and caring daughter Virginia. Little or nothing of scientific thought of Galileo emerges from these papers rather see him engaged in daily chores and convent, quotas need to be resolved and in family matters. We have a Galilean man portrayed as an ordinary, everyday man, so that is not inappropriate to imagine that suddenly, while he is with the eye attached to the telescope or a microscope (ready to read the infinitely great little ol'infinitamente ), or thinks and writes and talks of Simplicio and Sagredo, the jumps mind one thing to do for the mule or wine, or what were the good biricuocoli that Virginia had done or what you should remember to say to Mr. Rondinelli, a Geppo or dear daughter. The reading of these papers puts us behind the scenes of the scene open and visible (because most known) of Galileo's life, show us what goes on behind the stage, as if we were in the middle of the ropes and rods, the curtains, lamps and mechanisms and on the side of people near the stage manager or director and the characters waiting to enter the bar. One page after another, gradually, you begin to immaginare odori, colori e sapori, a vedere scorci di campagna toscana, a sentire quasi l’umidità delle celle e a percepire e intuire una possibile quotidianità seicentesca. La formula della lettera, quindi del parlare diretto concede a chi legge la possibilità di un immediato immedesimarsi nell’azione col risultato che si ha la sensazione più del romanzo che del documento storico. Suor Maria Celeste informa l’amato padre sugli affari di famiglia, sulle cose di casa e del monastero (come il drammatico tentativo di suicidio di una suora o le questioni relative all’affitto di una cella più confortevole -ma sarebbe bastato dire: meno fredda). Si parla di tutto, dalla salute del fratello e della mula, alle medicine e the wine, from the waist pigeon of the seasons and what they bring with them, the flowers, frost, heat, rainy days, the garden and the lush growth at times (but sparing of fruit) plants, and even then what happens to people around you: friends, the helpers, peasants and lords, and then fever and what to do and be like (the humor was already considered a good remedy ) and what medicines and foods to take to combat it (mixtures of dried figs, nuts, wine and honey and maybe a good chicken broth). A guide always passionate, respectful and affectionate, often done at night, Candlelight at the end of working day. We talk about normal things: health, straw for the mule, sharper wine, sweet cedar, bread, toothache or stomachache and cold, Galileino (the little nephew, son Vincent's brother), to the embarrassment felt an awkward misunderstanding of the buffalo eggs, pills and tablets, aloe skullcaps dipped (to soften the bitter taste), and again in the water of roses. Emerge the stories of people like the boy Geppo, the sister or Sister Luisa Mr. Rondinelli. Their appearances will follow with interest growing in letter after letter.'s Surprise Galileo is learned that sometimes exceeded the taste of drinking, he wrote a play (sent to her daughter, often representing the nuns, and wrote plays in the background moral) good and that it was intended to breeding of pigeons; , which produced wine (sold in part to the convent of San Matteo in Arcetri), who suffered for rheumatic fever, arthritis and hernia. All things that the gigantism of his role as scientist and philosopher have placed far away from the common imagination. So as far from the clamor of the historical process of the Roman Inquisition, (but it is more correct to say, aside) is Virginia, always tender concern for the physical and spiritual health of his father, seems not to want to delve into its complex procedural issues, relying on the one hand, in the sense of thoughtful and kind of trial 'inquisition, on the other total belief in his father's inability to perform acts contrary to the will of the Church.

Although in their essence are listed some biographical notes and a glossary, based on the book by Bruno Basile, useful in listening to lectures.

Characters:

-Sister Arcangela Livia Galilei, Vincenzo and sister Virginia. Monaco S. Matteo in Arcetri.

- Sister Clara (cousin of Virginia, the daughter of Benedetto Landucci and Virginia Galilei, Galileo's sister). Monaco S. Matteo in Arcetri.

- Sister Maria Celeste (1600-1634). He received music education (perhaps by his father). He had undergone several dental extractions, the healing time was unaware of any procedure, he suffered from stomach pain and headaches.

Galileo-built telescopes and microscopes, in March 1628 he ill 'seriously; garden e vigna erano le uniche distrazioni (per via dei  suoi reumatismi non avrebbe dovuto restare all’ umido e all’ aperto); era meccanico esperto, fu tra i primi a studiare l applicazione del pendolo all’orologio. Dal 23 aprile del 1633 fu costretto a letto dai suoi reumatismi.

-Galileino : nipote di Galileo, figlio di Vincenzo.

-Michelangelo Galilei (morto 3 gennaio 1631)  aveva sette figli. Tra queste Anna Maria, che  morì a soli 9  anni 1625-1634 e Melchide, la figlia maggiore , morta giovane nel 1634, anno in cui morì anche la moglie, Anna Chiara Bandinelli (ndr.:1634  morte anche diVirginia).

 -Ronconi Giovanni : medico della famiglia Galilei. Tentò di sottrarre G. al processo del Sant’Uffizio.

- Rondinelli Francesco : (1589/1634) . Scrisse Relazione del contagio stato in Firenze l’anno 1630 e 1633 . A lui Galileo concesse, durante la propria assenza, l’uso del Gioiello (nome che fu dato al villino, vicino al monastero, che Galileo, per star più vicino alla figlia, prese in affitto).

Giuseppe detto Geppo : garzone di Galileo.

Glossario:

Steel: medicated (through filing of steel left in the infusion).

Acciarpate: cobbled together.

Accieggie: woodcock.

of Canopy Water: at that time famous healing mineral water. Pistoia

water means water considered miraculous fever, spread by Sister Ursula Fontebuoni (1559-1639), abbess of the Monastery of St. Mercurial in Pistoia. It was "well water of the said monastery, having been rumored to have this holy water from San Benedetto"

Agate: A variety of chalcedony valued, hard stone used for beads.

Aloe (Aloe) homonym juice plant (the most valuable came from Arabia, the aloe socotrina), consumed in crystals and purgative properties eupeptic

Ampolla .. scorpions: oil infused with the ashes of scorpions was considered medicinal.

water cinnamon rind Cynnamomum ceylanucum, it was believed, in tea, medicinal products.

Arnione: kidney

hawk, bird of prey Falconiformes, used for hunting as "falcon manor."

berlingozzi: donuts.

Biricuocoli: sweet paste of flour and honey.

soccer: socks.

catarrh in the kidneys: in those days, it was believed that the kidney disease should be down to of phlegm.

Cantucci: biscuit flour, clear of the egg, sugar and almonds, sliced.

Calicioni: pasta with sugar and almonds.

Carboncella: symptom (vesicles) and Case (typhus) of the plague.

Cauterii: burns treatment

Cedrati: cedars.

Strain: piggy

Cerusico: surgeon.

Collars: seventeenth-century fashion. High collars and starched or curled (lettuce).

Coltrone: quilt.

conditioning: packaged.

Quince: jam quince.

Craze: coins of the Grand Duchy of Tuscany.

Ethics: tuberculous

flowers of rosemary: rosemary flowers (which were placed in preserves, Galileo was delicious.) From the 'old custom of making some edible flowers.

Miccini do: to take into account.

Fortress: sour, sour (of wine).

Furore: it was thought that madness was due to an excess of melancholy mood.

breaded: provision of fixtures.

Tainted: ill

walker: pastry.

Girelletto: compressed.

Giulio currency: silver pug.

Gragnola: hail.

Grit: high collar, ruff (the English).

Guastada: jug.

Lattovaro: elettuario a medicated against the plague.

Lucchesino: the rough wool cloth, Fabbica in Lucca.

Lugliola: July.

Mal bad: the plague.

Mangiative: food.

Melangolo: oranges (bitter).

Melarancio oranges.

one half: jug.

morselletti: diced candied fruit.

Mostaccioli: cakes of flour mixed with honey, cooked grape must, raisins, almonds and figs.

Mossimele: a syropus acetosus de Mello, considered diuretic and febrifuge.

Musco: musk (perfume)

Oppilo: intestinal obstruction.

Oriolo: clock (mechanical).

Ortolani of Passeriformes birds: a step summer hunted.

Oxilacchara: confection of sugar and vinegar with herbal extracts against tristiam melancholicam et epilepsiam.

Pavilions: bed canopies to protect from moisture

Pannaiuola: laundress.

Parry and shoot: attach and remove the wallpaper.

Pasta real cake flour, sugar and eggs (similar to a sponge).

Pescetti of marzipan pastries with almonds, white of egg and sugar.

Plate: silver shields (1 plate was equivalent to Tuscan L. 7).

touchstone: the variety of black schistose jasper, used to recognize the purity of gold.

Pills skullcaps: laxative pills.

Pinocchio: a sweet paste made of egg whites assembled, pine nuts and sugar.

Rhubarb: rhizome of the plant's medical use, used for diseases of the stomach and intestine.

Mange: scabies.

sarge; worsted.

Scapone: dall'impuntatura remove the unruly mule.

disconcert: to enter crisis (illness, at times, was considered confusion of moods ).

Serviziale: enema.

wimple: see. Canvas wimple

Still: squeeze.

rose sauce, a fragrant astringent.

wimple Canvas: a canvas for the band that nuns wear under (or around) the throat.

Fowler: hunter of birds.

Eggs buffalo: it is called as a certain quality of dairy product in use even today.

Verdea: type of white wine.

Saffron: at that time was considered medicinal (eupeptic).

Zibaldone: donut with raisins, candied fruit.

Bell's Palsy Timeline

Pompei time has stopped

After the collapse of the Domus Gladiators' what can we expect?

Gradiva

Can I Wax If I Have Lupus

Thus began the fall of 1979 in Turin

"Run home
hastily
there is a snake
waiting for you "
you read on the posters throughout Torino
at the end of 1979 ...

and, shortly afterwards, disappeared
Tele
Turin International (formerly Tele become Torino)
was born from that moment the current was that we could define the
;
Tele Italy Political

fonte:

http://www.storiaradiotv.it/TELE%20TORINO%20-%20TELE%20TORINO%20INTERNATIONAL.htm

Where To Get Dragonball Z Doujinshi

"Hawks and the Sparrows" Pasolini's second Dario Coppola

Il film “Uccellacci e uccellini” è sostanzialmente una riflessione filosofica sul tragico senso dell’esistenza, sotto forma di una favola.

Vari sono i risvolti formali dell’opera, che si possono notare uniti nel linguaggio filmico del neorealismo di impronta manieristica (si parla di manierismo pasoliniano): ad esempio, gli sguardi estatici dei personaggi, il tema della legend blends with reality in a sublime irony, however, the same people who interpret the scenes as if they were entering, moving within or come out of paintings or frescoes, architectural details, the refinement of manners (especially medieval) and shots of landscapes, the classical references: Literary and religious ( Canticle of the Sun and Gospels), philosophical (Pascal and the relationship between faith and science), pictorial (Pontormo, Rosso Fiorentino, but also Masaccio .. .), music (Mozart).

are equally complex content the film. Among the several levels, the most obvious is that of a comic story that connects, so apparently clear and simple, the philosophical arguments: three characters (a father, a son, a bird) walking and talking, until the two men eat the talking crow. But, as in every fairy tale, as well as the deceptive simplicity of the plot, there emerges dall'irrealtà and surreal elements all other meanings of the work, sometimes explained by its third protagonist, the crow, the most symbolic, the alter ego of director himself: according to the script, it is a left-wing intellectual, son of "Mr. Doubt" (P. Ricoeur position between the masters of the School of the suspicion, and then the doubt, Karl Marx) and "Mrs. Conscience" (the consciousness of what? Of course class consciousness! The theme of consciousness, after Hegel, is even more development along the nineteenth century) .

At this point, it seems more clear the title of: The Hawks are the bourgeoisie and the proletariat are the birds. Between these two classes, whose consciousness generates intellectual (and therefore the birth of the Communist Party and its international) there will never be peace, or rather there will never be "Love." But there will be only and always a struggle: the class struggle. Even after Christianity has sought the possible conversion of the individual, the two classes can never communicate with each other because they express themselves with language antithetical: the screeching hawks and sparrows hopping. Rooms are the attempts of the Church, represented by St. Francis, another Christ, to bring peace on earth in this struggle continues.

But the most emblematic bird is the raven-philosopher: he and his prophet is saying is not understood by the prophetic ignorant masses, that is despised by the petty bourgeoisie of mockery because he does not understand, father and son, Toto and Ninetto do not like to hear about the prophet of misfortune, whose origin is the 'ideology' itself. They are the sons of the apparent simplicity and innocence of the wild, the more cynical ignorance, which will push them into a struggle for survival, place them in an endless chain where it tends to subdue those who are submissive. The two protagonists do not respect the rights of others, "critical of" private property but only for their bodily needs, typically related to their animal nature (homo homini lupus ). But Toto and Ninetto not understand the teachings of the body and are, in turn, oppressed by the ruling class, which does not include customs, traditions, namely that language, from which only stupidly fascinated.

If we enter into the labyrinth of the other meanings of the work, we only mentioned the issues of birth control and contraception (contraceptive ...), the existence of immigration and immigrants (the sale the "callifugo "...), of progress and technology (the landing on the moon ...), the crisis of culture and literature (the Congress of Dentists-Dantists ...), the question of language, which the literary works and devotes many debates Pasolini (use of popular idioms and dialects, as opposed to Italian caught), superstition (votive offerings).

Another layer of symbols characterizing the film: the path is "eternal". The film begins when the two main characters, father and son, already walking and ends when they walk again, the trip is already over, so the purpose of the journey, which is the existence, life, finds no satisfaction. The trip is an alienation, which allows cheating, a flight because there is so tragic to lose its meaning. On the road of life, just because the protagonists face death and accept each other without talking about it. But here is who can get right to understand it, the crow, because, as a good prophet, he knows that is killed thanks to his two traveling companions, the trip already done just the way it started. I lost many buses are the delays, failures, the inability to make the journey in life and therefore to understand its meaning.

The moon is the only hope, so far, and unattainable, though in those years has been reached ... The man is believed to back to the center of the universe? The moon is therefore alienation, understood as an escape from reality, escape to the absurd, as the term itself a pioneer in the history of cinema What is G. Méliès ( Journey to the Moon, 1902) but even before L. Ariosto ( Astolfo on the moon). The prostitute named Luna is the refuge in the pleasures of life for Toto and Ninetto who, fleeing the harsh reality, they waste the money enough only to their small pleasures and pains to their children, debt. Two planes take off, when the protagonists meet the moon phallic symbols, but also an allegory of this easy escape from the world of the oppressed and exploited.

The journey began on the highway under construction in the outskirts of Rome ... The invitation to escape is also expressed by surreal road signs that indicate the symbolic city far away ... (Istanbul, indeed, "Istanbul" and Cuba) also the signs to the streets of the suburb of Rome remember simple men, unfamiliar with symbolic names. The strolling players interpret a show on ancient Rome that has ruined the world.

found in "The Hawks and the Sparrows" several tributes to great cinema: Toto and Ninetto recall movements and dialogues chapliniani characters, you can also see elements of Fellini in the characteristics of some grotesque characters.

Pasolini explicitly revealed the religious background of this and other films with a series of citations and references, which refer to events in the Gospels. Just look The Gospel according to Matthew to grasp some of the angel Gabriel, the Annunciation, is played in the movie by the same actress in "The Hawks and the Sparrows" is the girl with angel wings, to religious recitation. Also in Hawks and the Sparrows are , filigree, clear outline of the path of the Gospel. The raven says, "Blessed are you ..." in reference to the simple, taking the Beatitudes (Matthew, 5); la cacciata dei mercanti al tempio è collocata nel film durante la leggenda di san Francesco, il quale cita  Il Capitale  di Karl Marx: volutamente Pasolini, giocando con i contrasti, accosta i due estremi, come già ha fatto nel film  Il Vangelo secondo Matteo , ove fa risuonare i canti rivoluzionari russi mentre il Cristo  parla  alle  folle. La  gente  che  è radunata a causa di una morte, in  Uccellacci e uccellini , dà lo spunto per la riflessione dell’autore sull’esistenza, ma ricorda la folla dei racconti evangelici che chiedeva i miracoli al Cristo che risuscitava i morti.  

L’incontro con la prostituta è presente anche negli Evangeli, così come l’annuncio profetico della propria morte fatto dal Cristo e dal corvo parlante in  Uccellacci e uccellini . Se l’ultima cena è anticipazione della Passione e della Morte di Cristo, negli Evangeli, nel film è subita dal corvo che viene mangiato: coincidono con la cena, la passione, la morte in termini religiosi, psicologici e anche antropologici (la ripresa del pasto totemico di S. Freud in  Totem e tabù ...).

Anche nei Accattone film Mamma Roma and are evoked the same path Gospel (Angelo - Passion - Last Supper - Death). The three enigmatic characters reminiscent of the three persons of the Trinity: Father, Son and Holy Spirit (the latter represented by a white dove, normally). But after the death, according to Marxist atheism is no life, and then the bird is, at the same time, the clumsy and gloomy picture fallen angel, whose black color is disturbing and inconsistent with its sweetness, with its fragility but especially with his wit. The crow calls the cockroach of Kafka's memory that evokes foreboding, as it appeared, directly due thought to die no accident that the raven is introduced into the discourse when the father and son (symbol of life going on in generations) reflect on death.

Another set of references, both of content and style, goes to the classics: certainly appear typical elements of theater of the absurd (S. Beckett, Waiting for Godot ) and also references to M. Cervantes (Don Quixote ). But fundamental is the revival of a style beloved by Aesop, Phaedrus, and then to La Fontaine, who put on the mouth animal, sometimes just a crow, the suggested words from the minds of men they are often more fierce than those of animals. In this case, the crow is the most innocent of innocents, rather it is the innocent victim of them. The man appears to be subject to the beast, but in the end, only by behaving like the beast, the beast dominates the contrary of the 'human man "embodied by Ciccillo monk, whose sum is expressed in the thought that his idealistic and philanthropic Song Things , immediately contradicted by reality (it is detached from Feuerbach to Marx). B. Pascal said: "man non  è  né  angelo  né  bestia; disgrazia  vuole  che  chi  vuol fare l’angelo  fa la bestia” (P ensieri , 358). 

Il tema dell’albatro (o del gabbiano), le cui  ali  troppo  grandi  imprigionate  nella  tolda  di  una  nave lo portano alla lenta morte e all’impossibilità di spiccare il volo, è notoriamente attribuito a C. Baudelaire e a S.T. Coleridge: sono references in Accattone are enclosed but obviously here in the Crow Hawks and the Sparrows.

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Another level of interpretation is the historical-political history of Russian communism from the references mentioned, including music, the International, K. Marx, the Italian Communist Party which Pasolini joined the tribute to P. Togliatti, in Mao's China and the Encyclical "Pacem in Terris" of Pope John XXIII: they are only a few quotes and cameos that express, in addition to obtaining the free, self-criticism Pasolini, on its shape and inadequate not including the left-wing intellectual who turns just as critical to his party and the Church.

Dario Coppola

The official site Pasolini published on this review already appeared on the website of the Cultural Quintilian August 2010