The Ancient Theatre St. James offers
Academy of Music
comedy in two acts by Francis Capacelli Albergati.
old banker, is suffering the deceit funny (with a happy ending for everyone) and his son Albert, his mistress and the maid vespina Venetian Aspasia, weave toward him. A brilliant comedy of Bologna 700, written by a disciple and friend of Carlo Goldoni: Francesco Albergati. Nicknamed the Moliere Bologna, was also a friend of Voltaire and Alfieri. Since his youth, he attended the first stage as an actor and then as a comic writer. The theater, which during the 'summer he set up in his Palace of Zola (for an audience of three hundred people), became famous throughout Europe.
characterization (Alberto Bolognese accent and vespina servants and Sniper, mix the Venetian dialect of Aspasia and Giacometti), vivacity el 'wit of the characters, the particularity of the setting (the first scenes are candlelight , the latest in a concert hall) make the Academy of Music an original and fun.
The cast of actors is largely made up of musicians, actors (as well as the text of the play requires). All come from the core of artists who gravitate around the church and the monastery of San Giacomo Maggiore in Bologna, in which they were born La Cappella Musicale di San Giacomo Maggiore and the Ancient Theater of San Giacomo Maggiore. Both subjects should give their business to re-release as philological texts written between 500 and 700 only. Costumes and music are copies of originals. The text, unedited, in its transcript is part of the University Library of Bologna.
Director Virgilio Bianconi.
owes his theatrical training in the 80s to the theater group directed by actor-CULT CRE Venetian Franco Bertani. Later, after having attended numerous courses in theater and have founded The Fellowship of the Sun, an association that still manages the theater historian Cesare Caporali Panicale (PG), has created its own laboratories producing theatrical performances that range from theater drama and music of the Renaissance up to 900. In the theater by a theater school that embraces many disciplines of the show. He holds theater workshops in Italy and abroad. He has many outfits that are numbered in "The Imaginary Invalid" by Moliere, La "Salome" by Wilde, "The Miser" by Moliere, "Don Giovanni returns from the war," Horvath, and in the lyrical context ' opera "Rigoletto," the interlude "Pimpinone" and Albinoni's "The Servant Mistress" by Pergolesi. He directed several productions with representations of sacred texts and medieval music. At the same time he attended the Conservatory of Perugia F. Morley and continued her vocal studies with the baritone and tenor Umberto Rinaldi Sergio German, attending many other advanced courses including the singing course taught by Maureen Barazzoni Baroque.
E 'was the winner of the National Competition "Pagano S." for the role of Uberto in "The Servant Mistress" by Pergolesi, replicated by many Italian opera houses. In addition to the repertoire of roles as Dulcamara, Geronte, Bartolo, Figaro, Leporello and Don Giovanni debuted in theaters and a variety of traditional Italian festivals, has played many rare works by Vivaldi, Orlando, Baskets, Salieri, Pergolesi and many others in Italy and abroad.
He has recorded for Tactus "The Beheading of St. John the Baptist" by Bononcini and "The Player" in Orlando. E 'artistic director of the Teatro Comunale di Panicale Caporali PG.
owes his theatrical training in the 80s to the theater group directed by actor-CULT CRE Venetian Franco Bertani. Later, after having attended numerous courses in theater and have founded The Fellowship of the Sun, an association that still manages the theater historian Cesare Caporali Panicale (PG), has created its own laboratories producing theatrical performances that range from theater drama and music of the Renaissance up to 900. In the theater by a theater school that embraces many disciplines of the show. He holds theater workshops in Italy and abroad. He has many outfits that are numbered in "The Imaginary Invalid" by Moliere, La "Salome" by Wilde, "The Miser" by Moliere, "Don Giovanni returns from the war," Horvath, and in the lyrical context ' opera "Rigoletto," the interlude "Pimpinone" and Albinoni's "The Servant Mistress" by Pergolesi. He directed several productions with representations of sacred texts and medieval music. At the same time he attended the Conservatory of Perugia F. Morley and continued her vocal studies with the baritone and tenor Umberto Rinaldi Sergio German, attending many other advanced courses including the singing course taught by Maureen Barazzoni Baroque.
E 'was the winner of the National Competition "Pagano S." for the role of Uberto in "The Servant Mistress" by Pergolesi, replicated by many Italian opera houses. In addition to the repertoire of roles as Dulcamara, Geronte, Bartolo, Figaro, Leporello and Don Giovanni debuted in theaters and a variety of traditional Italian festivals, has played many rare works by Vivaldi, Orlando, Baskets, Salieri, Pergolesi and many others in Italy and abroad.
He has recorded for Tactus "The Beheading of St. John the Baptist" by Bononcini and "The Player" in Orlando. E 'artistic director of the Teatro Comunale di Panicale Caporali PG.
Music by the Choir of St. James the Elder; Association which was formed in March of 2006, was created with the aim to propose, in particular, the unpublished school musical composers belonged, between the Renaissance and the Baroque, the order of the Augustinian Fathers. E 'consists of a small circle of musicians who specific knowledge of performance practice. For the publishing house Tactus, recorded a first CD, devoted to sacred music of Father Agostino Ippolito Ghezzi. The CD had excellent reviews from major magazines to music criticism in Italy (Musica, 5 star, 4 star Amadeus) and abroad (in particular France and America). A second CD entitled Pinxit is dedicated to Renaissance music. Inspired by the literary sources of the first 500 of Bologna and has also received rave reviews on American and European sites.
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